6th sense
I have this sensation sometimes that there is an “occult history” - not a history of the occult, but an “occult history” in the true sense of the word (occult means hidden, from the latin occultus i think) - a secret, or hidden, history. It is sort of a gut instinct, a “scholar’s intuition” if you will, that sets off these thoughts of mine; a certain understanding that there lies so much in th epast that we know only a fraction - and that fraction that we know, and the interpretations that we make of it comes to be known as “history”. (Some people don’t make much, if any, distinction between the “past” and “history”. History is what we know; more specifically, it is how we interpret and explain what we know. The past is just that: the past - everything that has come and gone before this moment right now. Sometimes the past and history overlap, sometimes they don’t.)
I’ve said before that, to me, history is like a mistress, a lady who calls and seduces like a Siren. Maybe this analogy confuses or amuses others, but for one who has a passion - music, art, writing, any passion that can at times be consuming - it makes perfect sense. The garment that this lady wears, her lovely gown, is made up of all the events in the past. She stands before us so that we may gaze and marvel at her wonderous gown, at the creation that has been made and that she know wears. The patterns and designs of history that she displays on her gown amazes us and causes much wonder. But for all this, there are parts of her dress that we do not see. There may be a fold in her gown hiding an important design that we could see and marvel at if we just shifted the point from which we look at her, or straightened out the fabric so that it was smooth. In some places we can see that someone else ahs put their own design over that of History’s gown, thus hiding it with their own (flawed) creation. and then there are those patches of design that seem so simple and mundane, that you know there must be more to it. It is these patches of history which I now dwell on.
There are thoughts out there, events that have faded from popular memory, that have either been hidden by those who were responsible for them or repressed by those who were in power and did not want them. Thus is the nature of history, it is truly written by the victors for the victors. And, being the heirs to the past, we are affected by these histories. We read them, we study them, we are affected by them in one way or another, and at times we know that there is more to the story than we are being told. The problem is to then find what it is that is missing, or to identify what has been added - to find a closer semblence to this notion of Truth, absolute and divine Truth, that every historian searches for, and have so far failed to achieve.
However, the things which I seek go beyond what I have described. What I speak of, what I search for, are things that are hidden from us and yet there plainly in sight, things that for one reason or another been hidden or buried in the records of the past. One of my dreams is to discover one such thing, to find a new and much greater meaning to something than had been previously attributed to it - a work of art, a piece of literature, a song. Occultists in the Middle Ages and Renaissance are known to have created complex systems to convey their beliefs to others like them in a hidden manner that only they would understand.
It is for this reason that I am at times fanatically consumed by things like Magic and the Occult, religion, and art history. And this is THE reason for my conflict in chosing between such studies as these and my other choice, fortifications/warfare. While I could definately make a good career out of the later, I feel like I would be missing out on a world of wonder, of a past more abstract than physical, of a realm of thought that only a few come to know. Both choices exercise different areas of my intellect and my interests, and unfortunately I haven’t really been able to come up with a method of bringing the two together.





